The Current State of the Music Business

ABC Pictures became keenly aware of the dramatic shift the music promotion business took when the independent music artist began finding less need for large record and promotion companies. Our buyers became thousands of independent musicians and labels who were now able to easily promote themselves. We had to quickly learn to reach these individual artists with our message instead of reaching them through one record company. This shift of paradigm was and still is even greater for the musicians and record companies. Year's after the shift began there remains huge dangling questions when it comes to how the music industry should reshape itself in order to make money and to give the fans what they want.

I ran across this blog written by the band "OK GO". It's an interesting perspective on the shift and of the current state of the music business from first hand experience. If you are scratching your head about the relationship between musicians and record companies in these times, this may be very interesting to you.

http://okgo.forumsunlimited.com/index.php?showtopic=4169

LA Photographer Comes to Springfield to Shoot

Here's a great deal for those of you needing to update your headshot.  Jeffrey Nicholson (see interview below) from "The Shot Photography"  (Los Angeles, CA)  is traveling to Springfield, Missouri to shoot headshots.  The sessions will be held on the MSU campus May 6-8, 2009.  All shoots will be 1/2 price (rates will start at $175). For more information or to book a time slot:

Call 323-850-SHOT, Text 310-383-6200

Email info@shotphotography.com.  

Interview with the "vaudevillian-ragtime-jugband-blues and hillbilly swing" band, "The Wiyos"

"The Wiyos" first caught my eye when I noticed the quality of photography they used for their promotion.  Not only is the quality of the photography top notch, it captures the essence of their sound and their performance--as they say "vaudevillian-ragtime-jugband-blues and hillbilly swing"  (It's amazing to me how many bands don't portray the feel of their music and performances through their photography and marketing materials.)  After seeing their images, I went to their website to listen to their music. The website continues their theme.  You can tell how much thought has gone into attaching their unique style to everything their audience sees. From their clothing to their music to the photos to the posters to the website and CD's, the look and feel don't deviate. What I found in their video clips was good music and a hugely fun stage full of unusual instruments and theatrical antics.  It is, as the band touts, reminiscent of the times of Vaudeville.  (For those of you not exactly sure what Vaudeville was, see the side bar for a link to an informative article on the subject.)  It's not the normal fare given our large screen HDTV world.   They are a blast from our past (or our future, however you see it) and a refreshing way to be entertained.  I envision these four musicians wandering the back roads of rural America moving from town to town in a swarm of dust and heat, instruments hanging around their necks, guitars slung across their backs and suitcases being pulled in a wagon behind them.  But this is the old way of doing things.  "The Wiyos" may get a little dusty depending on the venue but they are entertaining audiences with their music and stage antics all over the world and most likely jetting it--the 2009 form of Vaudeville.   I have really enjoyed learning more about the band online and watching their videos and applaud them in their branding.  Recently,  I approached band member Parrish Ellis to ask him more about the band.  Below are excerpts from the interview. 

Interviewee: Parrish Ellis

Band Name:  The Wiyos

Band Members:  

Parrish Ellis--Vocals/Acoustic Guitar/Banjo/Ukulele

Teddy Weber--Vocals/Steel Guitars (lap/table), Acoustic guitar, Alto Horn

Michael Farkas--Vocals/Harmonica/Washboard/Kazoo

Joe Dejarnette--Upright Bass/Vocals/Sound Engineer

Website:  www.thewiyos.com OR myspace.com/thewiyos

For Bookings:  Shelley Ubbelohde at Charisma Artist Agency

Number of CD's:  3 (The 4th to be released in June)

Latest CD:  "The Wiyos"

You have a truly unique kind of sound, how did the sound evolve and who were your musical influences?

all four of us have myriad influences and separate paths that led us into old-time American traditional music and the pop songs of the 1920's and 30's.  it was the meeting and collaboration of our four distinct musical aesthetics that has been the impetus for our unique sound.

Do you have a name for the type of music you play?

we used to call our music "vaudevillian-ragtime-jugband-blues and hillbilly swing". but now we are writing our own original songs and it is much more expansive and modern sounding...

Do you play all original songs, covers, or is it a mixture?

we play half originals and half covers. Teddy, Michael and Parrish all write the songs and have different methods.

Audiences don't see too many scrubboards.  Tell us the story.

to get technical-it's a washboard (a scrubboard is the thin sheet with ridges used in zydeco). the musical washboard used to be a commonly used percussion instrument in swing, blues and jugband music of the early 1900s. 

(Sheewww!  I thought Parrish was going to say a scrubboard is what you use to wash clothes with.  How was I going to explain my ignorance...?!)

Where does the name "The Wiyos" come from?  

the whyos were an Irish street gang that existed in the 5 points district of NYC during the turn of the century.  we got it (the name) from the text of the book "Gangs of New York".

How did you get started together as a band?

i met Michael in NYC in 2003 and we started by playing piedmont & delta country blues guitar/harmonica duets

How long have you been together as a group?

6 years, same people, started as a trio with Teddy joining about 1 1/2 years ago

Did everyone in the group grow up in musical households?

no two of us had musical fathers, but the other two did not have any family members that were musically inclined.

There can be conflicting interests in bands that can pull at the structure of the group.  How do you handle these issues?  

that's a long and complex matter about which most famous bands end up writing books.  no comment from us...

You have traveled all over the world sharing your music.  Where have you found the most appreciative audiences?  

the most appreciative audiences have been in Europe (Sweden, Netherlands, UK).  they just have a deeper appreciation for old/traditional American musical art forms.

How often do you rehearse or revamp a routine?

we try to be spontaneous every night that we're performing on stage and come up with something that deviates from the set script.

How has the musical scene changed since you started?

i believe there has been a major increase in the interest for original music that is (influenced) by early American music idioms like swing/blues/ragtime.

How have you marketed yourselves?

we're still trying to figure out the best marketing strategy, but facebook and myspace have played a large role in our independent marketing plan

What advice could you give to a band wanting to expand their sound outside of their hometown?

be prepared to lose money on the first few tours (especially with the increased travel expenses) until you build up reliable audiences in new markets

Do you frequent musical festivals?  If so, which ones are your favorites?

yes, my favorites are the New Orleans Jazz & Heritage Festival, Merlefest in North Carolina, ad the Appalachian Mountain Stringband Festival in West Virginia.

Your stage sound is very organic and sometimes that's a hard sound to recreate in the studio. How do you approach your recording process?

we just finished the tracking and mixing processes of our new record album (still needs to be mastered and mass manufactured; release date estimated at mid June!). this new album differed from our last two (both recorded entirely live to 2 track tape machines; no editing or mixing) in that we multi-tracked the recording and then layered some sound sculptors on top. there was a lot of editing and too much mixing! maybe we'll find the happy medium next time...

Thanks so much for your time Parrish.  If a person wants to download your music where can they do so?

starting in about 2 months they will be able to download the new album (and the first three records) on iTunes. right now they can purchase a copy through cdbaby.com

An Interview with Professional Headshot Photographer--Jeffrey Nicholson/The Shot Photography

My last post discussed the importance of hiring a professional photographer.  To illustrate my point, I wanted to introduce you to Jeffrey Nicholson of "The Shot Photography."  I started noticing Jeffrey's work when some of our local actors began bringing in his work to ABC Pictures for reproductions.  I noticed the quality right off and I asked our clients who the photographer was.  There started to be a "Jeffrey Nicholson Theme".   Everyone I talked to was very pleased with their results and told me how fun it was to work with him. After digging a little deeper, I found out that Jeffrey is an award winning Los Angeles Photographer who has worked with over 5000 actors.  His celebrity work has appeared in Elle, Marie Claire, Good Housekeeping, Maxim, Stuff, USA Today, Shape, Muscle and Fitness and Oprah magazines.  He has photographed many celebrities such as Eva Longoria, Jamie Foxx, Josh Duhamael, Cameron Diaz, Dane Cook, Shannon Sossoman, Masi Oka, Dave Chappelle, Kelly Hu, Tracy Morgan, Josie Bisset and Jay Mohr, just to name a few.  I reached out to Jeffrey and asked if he would be interested in doing an interview for our actor audiences and I got an enthusiastic "yes"!  And just for the record, our clients were right, he really is fun to work with--and he is coming to a city near you!  Stay tuned for more information on that. Find excerpts from our interview below.

Name:    JEFFREY NICHOLSON                                                  

Business Name:  THE SHOT PHOTOGRAPHY

Occupation:  PHOTOGRAPHER

Specialty:  ACTORS AND MODELS

Website:  WWW.THESHOTPHOTOGRAPHY.COM

Location:  LOS ANGELES/KANSAS CITY

How did you decide to become a photographer?  

I WAS ALWAYS KIND OF A SHY PERSON, STILL AM ACTUALLY.  I WANTED TO HANG OUT WITH THE PRETTY PEOPLE AND THOUGHT – WHAT DO THE PRETTY PEOPLE NEED?  AND THEN IT DAWNED ON ME – PHOTOGRAPHY.  PRETTY PEOPLE NEED PICTURES TO PROVE HOW PRETTY THEY ARE – AND THAT WAS IT, A CAREER WAS BORN. 

What was the process you took to becoming a professional photographer?  

AFTER COLLEGE I WAS DATING A GIRL THAT WANTED TO GET INTO MODELING.  SHE WAS ALWAYS COMPLAINING ABOUT GETTING GOOD PICTURES SO I BORROWED A CAMERA FROM MY DAD, SHOT A TEST AND HER AGENCY FLIPPED OUT AND STARTED SENDING ME ALL OF THEIR MODELS AND ACTORS TO SHOOT.  SADLY, THE GIRL DUMPED ME AND I’VE NEVER HEARD FROM HER AGAIN – BUT IT WAS A HUGE TURNING POINT IN MY LIFE.

I ACTUALLY MET MY WIFE SHOOTING FOR THAT SAME AGENCY AND 15 YEARS LATER, I STILL GO BACK AND SHOOT FOR THEM AS OFTEN AS I CAN.

Where do you do most of your work?   LOS ANGELES.  MY STUDIO IS IN BEAUTIFUL DOWNTOWN BURBANK, CALIFORNIA.

Do you ever travel outside of this area with your photography?  YES. I ALSO SHOOT IN NEW YORK, CHICAGO, DALLAS, DENVER, PHOENIX, KANSAS CITY AND OKLAHOMA CITY AND THIS YEAR I WILL BE EXPANDING TO A CITY NEAR YOU! 

How long have you been a photographer?  20 YEARS – WHICH IS REALLY AMAZING WHEN YOU CONSIDER THAT I AM ONLY 29.

What is your photographic specialty?  I AM TOLD IT IS – CREATING GREAT ENERGY IN AN IMAGE AND ALWAYS ROCKING THE EYES.  I THINK I SEE THE BEAUTY IN ALL PEOPLE AND HOPE I CAN BRING SOMEONES INNER BEAUTY TO THE SURFACE.  I LOVE THE CONNECTION AND THE ONLY WAY IT HAS STAYED SO FRESH FOR ME OVER TWO DECADES IS MY LOVE OF PEOPLE AND MAKING NEW FRIENDS.

You seem to have a really great sense of humor.    Do you incorporate that humor into your shoots?  NO.

HONESTLY, I AM USUALLY THE ONE LAUGHING.  THERE WAS A TIME WHEN IT WOULD BE HARD TO NAME A STAND UP COMEDIAN THAT I HAD NOT SHOT.  SEVERAL OF MY FRIENDS ARE THE VERY TOP COMEDY FEATURE DIRECTORS AND I JUST SEEM TO ATTRACT THE FUNNY PEOPLE.  NOT REALLY SURE WHY.   ONE OF MY FIRST BIG BREAKS WAS SHOOTING THE CAST OF SATURDAY NIGHT LIVE A FEW YEARS BACK – MAYBE THAT IS HOW IT STARTED.

You are originally from Kansas City, Missouri.   Is photography what took you to California?  NO.  

I TOOK A CAR...  

(crickets sfx)

GET IT…A CAR.

OK.

ACTUALLY NO – I HAD HUNG UP MY CAMERA AND WAS HAVING A NICE LITTLE LIFE IN FRONT OF THE CAMERA DOING PRINT, HOSTING, ACTING AND A TON OF COMMERCIALS. 

MY ROOMATE AND SEVERAL OF MY FRIENDS NEEDED HEADSHOTS.  I PULLED MY CAMERA OUT OF THE CLOSET AFTER SEVERAL YEARS AND SHOT EVERYONE IN OUR GROUP.  SINCE I DID NOT HAVE A STUDIO/LIGHTS/BACKDROPS ETC. – THE HEADSHOTS WERE MORE THE WAY I DID MY FASHION WORK – WITH GREAT NATURAL LIGHT.  AT THE TIME, ALL OF THE BIG HEADSHOT SHOOTERS WERE DOING THOSE BORING STUDIO HEADSHOTS AGAINST A GRAY PAPER BACKGROUND.  I’M SURE THERE WERE OTHERS SHOOTING NATURAL LIGHT AT THE TIME, BUT I WAS VERY MUCH A PART OF THE MASSIVE MOVE TOWARD NATURAL LIGHT HEADSHOTS IN LA AND THERE WAS A 5 YEAR PERIOD WHEN I WAS SHOOTING WELL OVER 300 ACTORS A YEAR.

What kind of changes have you seen in headshot photography since you started and what do you see changing in the future?   THE BIGGEST DIFFERENCE IS NOW THERE ARE 300 HEADSHOT PHOTOGRAPHERS IN LA!  GOING DIGITAL IS HANDS DOWN THE BIGGEST CHANGE I HAVE SEEN OR EVER WILL SEE IN PHOTOGRAPHY.  GOING DIGITAL HAS LEVELED THE PLAYING FIELD SO YOU HAVE SEVERAL REAL PHOTOGRAPHERS COMPETING AGAINST HUNDREDS OF WANNABE SHOOTERS WITH A $3000 CAMERA.  OF COURSE, YOU AND I KNOW THERE IS A HUGE DIFFERENCE – BUT I THINK IT’S BECOMING HARDER AND HARDER FOR POTENTIAL CLIENTS TO SEE IT.  IN THEIR DEFENSE – SOME ARE QUITE GOOD AND IT KEEPS US FILM GUYS ON OUR TOES.  I DO ZERO ADVERTISING – SO I AM VERY THANKFUL THAT I RUN COMPLETELY ON REPEAT BUSINESS.  MY CLIENTS SEEM TO APPRECIATE THE DIFFERENCE AND I NEVER PHONE IT IN.  I SHOW UP TO ROCK IT EVERY SINGLE TIME.

Are there any trends that entertainers, actors and models should be aware of?  I HAVE HAD TO CHANGE THE WAY I SHOOT TO GIVE MY CLIENT EVERY OPPORTUNITY TO ‘POP’ ON LINE.  SNAPPY COLOR IS AS CRITICAL AND WE HAVE RETURNED TO MORE OF A CLOSER HEADSHOT – SOMETIMES EVEN AN EXTREME CLOSE UP IS BEST.  GET THE EYES AS BIG AND BEAUTFUL IN EVERY SHOT.

What tips can you share with entertainers about how to look for a good headshot photographer?  YOU BET.  IT’S GOING TO BE HARD TO FIND A GREAT HEADSHOT SHOOTER IN A SMALLER MARKET.  THERE JUST IS NOT ENOUGH OF THAT TYPE OF BUSINESS FOR A SHOOTER TO FOCUS ON AND GET A TON OF EXPERIENCE SHOOTING.  SO – IF YOU ARE IN A SMALLER MARKET – YOU NEED TO PRINT OUT SAMPLE HEADSHOTS FROM HEADSHOT PHOTOGRAPHER’S WEB SITES THAT YOU LIKE AND TAKE THEM IN TO TELL THE SHOOTER WHAT YOU ARE LOOKING FOR.  THAT WAY – THERE IS SOMETHING TO DIRECTLY COMPARE WHAT YOU ARE GETTING – TO WHAT YOU ARE WANTING.  IN A PERFECT WORLD – YOU FIND A SHOOTER THAT IS WILLING TO PLAY A LITTLE AND SHOOT BOTH INSIDE AND OUT.  I AM WORKING ON A BOOK TO HELP BOTH PHOTOGRAPHERS AND ACTORS GET A GREAT SHOT – NO MATTER WHERE THEY ARE.

THERE ARE SEVERAL LA SHOOTERS WHO ARE TRAVELING NOW TO SMALLER MARKETS TO SHOOT, MYSELF INCLUDED.  FOR EXAMPLE, THIS YEAR I WILL BE SHOOTING IN KANSAS CITY, DENVER, ST. LOUIS, DALLAS, OKLAHOMA CITY, CHICAGO, OMAHA, DES MOINES, SPRINGFIELD AND BRANSON IN SUMMER ’09.  I’M KINDA LIKE U2 – BUT WITHOUT ALL THE TRUCKS AND FANS AND…YOU KNOW…COME TO THINK OF IT, I GUESS I’M NOT LIKE U2 AT ALL.  ϑ

MY POINT IS THAT IF YOU ARE WITHIN DRIVING DISTANCE – YOU CAN TYPICALLY GET TO A GREAT SHOOTER.  MANY OF MY CLIENTS FLY OUT TO LA AND MAKE A VACATION OUT OF IT.  LA RATES ARE ABOUT HALF OF NY RATES, SO I HAVE TONS OF NY ACTORS THAT CAN FLY TO LA AND SHOOT WITH ME AND GET A COMBO #5 AT TACO BELL AND STILL SAVE MONEY OVER SHOOTING IN THE BIG APPLE.

I BELIEVE YOU HAVE TO SHOOT WITH SOMEONE THAT GUARANTEES THEIR WORK.  MOST DON’T IN LA ANYMORE BECAUSE PEOPLE TAKE ADVANTAGE OF IT – BUT IT IS REALLY IMPORTANT TO FIND A SHOOTER THAT WILL STAND BEHIND THEIR WORK.

What questions should they be asking when they are shopping?  

DO YOU SHOOT EXCLUSIVELY IN A STUDIO/ON LOCATION/BOTH?

DO YOU PROVIDE HAIR AND MAKE UP OR CAN I BRING MY OWN/DO IT MYSELF?

HOW MANY LOOKS/CHANGES ARE INCLUDED IN YOUR PRICE?

DO I GET A DISK OF ALL THE IMAGES IN HIGH RESOLUTION FROM MY SESSION?

IF NOT – HOW DOES IT WORK?  WHAT IS INCLUDED – WHAT IS NOT?

DO YOU OFFER RETOUCHING/PRINTING?

DO YOU GUARANTEE YOUR WORK?

WHAT IS YOUR POLICY IF I HAVE TO RESCHEDULE?

After they have found the photographer how should they prepare for the shoot?  

I LIKE PEOPLE THAT MAKE A MIX – OR BRING THEIR IPOD – SO IT’S THEIR PARTY.

I LOVE IT WHEN PEOPLE BRING A FRIEND TO KEEP IT SOCIAL AND GIVE THEM A PERSONAL ASSISTANT.  I LOVE IT WHEN PEOPLE ARE RESTED AND BRING A GREAT ATTITUDE TO A SHOOT.  EVERYONE HAS THAT AWESOME PART OF THEM THAT IS IN THEIR SCRAPBOOK THAT RARELY SHOWS UP TO A PHOTO SESSION – BUT THAT IS THE PERSON WE ARE ALL INTERESTED IN – NOT THE ONE WITH THE PHONY SMILE AND NEON WHITE TEETH.  BRING A FRIEND CAN HELP KEEP YOU – BEING YOU.

ALSO, BRINGING SAMPLES OF IMAGES OFF THE INTERNET OR MAGAZINES DEFINITELY HELPS YOU COMMUNICATE WITH YOUR PHOTOGRAPHER WHAT YOU WANT – OR PERHAPS MORE IMPORTANTLY, WHAT YOU DON’T WANT.

Have you ever shot anyone who later credited your photography for getting the job?   EVERY DAY.  I HAVE STACKS AND STACKS OF THANK YOU CARDS THAT KEEP ME GOING WHEN I’M FEELING EXTRA CHUBBY.

Have you ever photographed anyone who later became famous?  YES.  ALL OF US IN LA HAVE HAD THAT HAPPEN.  NOT TO ME AS MUCH AS ONE SHOOTER – KAREN BYSTADT WHO SHOT – BRAD PITT, JOHNNY DEPP, SANDRA BULLOCK, ROBERT DOWNEY JR., AND TONS MORE.  YOU CAN CHECK OUT HER BOOK – BEFORE THEY WERE FAMOUS ON LINE.  I’VE NEVER SEEN A SHOOTER SHOOT THAT MANY HUGE NAMES.  SHE SHOULD HAVE BECOME AN AGENT!!

IT’S FUNNY THOUGH.  MOST HEADSHOTS PHOTOGRAPHERS USE THEIR FAMOUS CLIENTS TO GET WORK – BUT THAT HAS ALWAYS FELT STRANGE TO ME.  I WILL GO TO WITH A GREAT IMAGE  OVER A FAMOUS ONE ANY DAY.  AFTER ALL – WE ARE ALL FAMOUS TO SOMEONE?

Have you ever photographed anyone famous?   YES.  MANY TIMES AND FOR THE MOST PART – THEY ARE ALWAYS VERY NICE AND UNDERSTAND THE IMPORTANT COLLABORATION BETWEEN THEMSELVES AND A PHOTOGRAPHER.  MANY TIMES – THEY WILL ONLY SHOOT WITH THE SAME PERSON.  KINDA LIKE FINDING THE RIGHT HAIR STYLIST.  RARELY DO PEOPLE TRY A DIFFERENT ONE EVERY 6 WEEKS.  A CELEBRITIES IMAGE IS SO IMPORTANT AND SO PROTECTED.  I TYPICALLY LOVE WORKING WITH THE TALENT – IT’S THE ENTOURAGE THAT COMES WITH THEM THAT TAKES ALL THE FUN OUT OF IT FOR ME.

Who was the most fun to photograph and why?  WOW.  THIS IS TOO HARD TO ANSWER.  YOU HAVE TO UNDERSTAND THAT I HAVE SHOT OVER 6000 ACTORS AND ALL BUT 7 WERE REALLY FUN.

A FEW STAND OUTS INCLUDE – TRACY MORGAN, SHANNON SOSSOMAN, DANE COOK, JAY MOHR, KELLY HU, JOSH DUHAMAEL.  THERE WAS JUST A PRESENCE ABOUT EACH OF THEM THAT WAS SOMETHING YOU DON’T LEARN IN ACTING CLASS.  THEY JUST HAVE IT.

Are you working on any other projects that we should know about?  I HAVE STARTED DIRECTING COMMERICALS AND AM VERY EXCITED ABOUT THAT.  I HAVE ALSO SPENT THE LAST FEW YEARS IN AN ATTEMPT TO TRANSITION FROM STILL PICTURES TO MOVING ONES.  I HAVE WRITTEN AND DIRECTED SEVERAL FILMS, ONE WITH DANE COOK AND ANOTHER THAT WILL BE OUT IN THE FALL CALLED FREESTYLE, STARRING HIGH SCHOOL MUSICAL’S CORBIN BLEU AND LITTLE MADISON PETTIS FROM THE GAME PLAN.  STILL PHOTOGRAPHY HAS GIVEN ME A GREAT FOUNDATION TO BUILD FROM AND MY UNDERSTANDING OF LIGHTING. COMPOSITION AND ESPECIALLY DIRECTING THOUSANDS OF ACTORS HAS REALLY GIVEN ME AN EDGE THAT I AM VERY THANKFUL FOR.

If someone wants to hire you, how do they do so?  I HAVE A REP THAT HANDLES MY COMMERCIAL DIRECTING WORK TSMITH@BACKALLEYFILMS.COM – FOR MY STILL PHOTOGRAPHY COMMERCIAL WORK – MY REP IS  HYPERLINK "mailto:NIC@SYNERGY-PICTURES.COM" NIC@SYNERGY-PICTURES.COM MY HEADSHOT CONTACT IS THESHOTPHOTOGRAPHY.COM AND I AM LAUNCHING A SENIOR PICTURE DIVISION SOON THAT WILL BE AT SENIOR-PICTURES.COM

OR – YOU CAN JUST CALL MY MOM.  

SHE ALWAYS KNOWS WHERE I AM.

The Importance of Hiring an Expert Photographer

In your industry, whether it's acting, modeling, pageantry, or music you are judged on  your image.  And you have very little time to make that impression the right impression.  Over the last 40 years we have seen hundreds of thousands of headshots and publicity prints run through our presses.  There are some that really grabbed our attention.   These were the ones that said to us, "You will be reproducing my fan club headshots in just a short amount of time." They all have one thing in common--an expert headshot photographer.  

An expert headshot photographer has developed the ability to draw out and to capture the essence you want to portray to your audiences in a "click."  While this is a huge part of the photographer's puzzle, there are also lighting concerns and color issues that accent that perfect look--or kill it.   Knowing how to get all of these things to fall into place is important to creating a headshot that will get noticed and it also determines how well your reprints will turn out.    

The term "Garbage In, Garbage Out" applies to making reprints.  When it comes time for us to make your reprints, a quality photograph reproduces well.  The need for retouching is rare, delays are minimized and the end result looks very much like the original.   On the contrary, when we receive images taken by an inexperienced photographer all kinds of issues can arise when the image goes to press.  A common problem is a  "hot spot" or  a white patch on your skin.   A "hot spot" will print as if someone just erased a portion of your cheek or forehead leaving only an irregular white patchy area.   It has become particularly common with the advent of digital cameras.  Unintentional shadows on the face, flat or grey looking images, blurriness, ambient coloring on the skin or in the hair (i.e. green highlights in blonde hair) and overly retouched images are also commonly seen with inexperienced photographers and make our job of making great reprints more difficult.  (The only thing worse than having a bad headshot is having 250 of that same headshot.)  While we can combat some of these things with retouching in-house, there is simply no substitute for a photograph that simply demands to be reprinted as is--both for your purposes and ours.  Start with an expert and you will be in control of the image you are putting out to your audiences and you will receive wonderful reprints from ABC Pictures.    

For more information on headshot photography, visit these links.  These links stress the importance of a professional photographer and though we are not endorsing any one photographer they might be helpful in finding the right photographer for your next photo shoot. 

http://www.answerbag.com/articles/How-Does-a-Professional-Head-Shot-Help-a-Career/6ff8a268-eadf-7da8-4afd-dfb289bc8bb9

http://www.videojug.com/film/choosing-a-headshot-photographer

http://actorphotographer.com/2007/01/02/actor-headshots-part-2-photographers-stylists-and-make-up-artists/

Definition of a "Loupe"

"A 'Loupe' (pronounced 'Loop') is a type of magnification device used to see things one is looking at more closely.  In this respect, they are simply a form of a modified microscope, allowing the user to be able to better apply the phenomenon of microscopy to his or her trade."  (Thank you wikipedia.org/wiki/Loupe).  

In the business of printing we use loupes to examine jobs more closely before we send them to you.  When we were naming our blog, it seemed appropriate to include this little device of closer inspection in the name because that's exactly what we would like this blog to be--a closer inspection of things that affect promotion of your talent; a place that will help keep you "in the loupe" about pertinent industry news and relevant individuals.   We will also throw in some good tidbits on getting the best reproductions of your publicity prints, model comp cards and headshots and keep you updated on our newest products and services.    I do hope you will join us! 

We Have Moved But That's Not All

For all of the folks who have worked with ABC Pictures over the years (and for our newest converts) be advised that after 35 years we have changed our physical address.  In October of this year we moved to northeast Springfield, Missouri into a new and expanded facility.  As most of you are in New York, Los Angeles, Atlanta, Chicago, etc., and are placing your orders online rather than mailing them, this change probably isn't as significant as some of our other recent changes.   In early 2008,  commercial printer Bass Print Solutions  purchased ABC Pictures.   The beauty of this marriage is that ABC now has so many more products and services that we can offer YOU! One of the most requested--faster turnaround on color orders--has already begun.     We can also offer lower minimum runs for those who just need a few and rush services for the time challenged.    As 2008 turns into 2009 we will be adding all of our new products and services to our website.  In the meantime give us a call and we can help you price your next project.   Happy Holidays!